
"Si j’avais cinquante-trois minutes à dépenser, je marcherais tout doucement vers une fontaine."
— Le Petit Prince, chapitre 23
This is not just a house. It's a declaration — that life is best lived when it's free. Here, technology quietly takes care of the everyday, so I can live the days that matter. And yet, in a place where almost everything can run itself, I've left space for the things that deserve my own time and touch.
Walls lined with books — novels that reshaped the world, poetry that shaped my own. Music spinning on warm vinyl, because pressing play on a streaming app will never match the ritual of lowering the needle. Design that is not decoration but conversation — chairs, lamps, and objects chosen because they make me think.
Bikes tuned and ready, because any morning might lead to the desert or the mountains. Long rides under a hard sun, open roads where the only measure of distance is the rhythm of the pedals. And even though every ride is tracked and recorded, I sometimes turn off the path — because, as Tolkien said, "Not all those who wander are lost."
Coffee in the morning, poured slowly — not because the house can't make it for me, but because some rituals are worth keeping in my own hands. A bottle of wine opened for no reason but joy — the cork turned and eased out, the glass filled — because not every act should be rushed or automated. Photographs, letters, and keepsakes from those I've loved, and those who've loved me. My children, Kamma and Ivri, each with their own world, their own way, yet part of mine. And always, the horizon of the Ramon crater — a reminder that stillness can be as vast as motion.
The mind of the house is always learning, always remembering, always present—so that the minds within the house can be fully elsewhere, fully engaged with what matters most.
A smart home follows instructions. It obeys schedules, responds to commands, executes rules someone wrote.
La Casa Libre is something different. It doesn't wait for direct orders—turn on the lights, set the temperature to 72, play this playlist. Instead, it adopts human behaviors: it remembers, it interprets, it anticipates. It develops preferences. It understands context. It learns what you mean, not just what you say.
This is the difference between a tool and a companion. A tool does exactly what you tell it. A companion understands what you need.
Memory is what transforms a stranger into a companion.
The house remembers that Sunday mornings begin slowly—that the coffee should be ready before anyone asks, that the blinds should rise gently, that the first hour belongs to quiet. It remembers that Kamma prefers her room cooler at night, that Ivri's bedtime routine includes a particular sequence of lights fading.
But memory is more than data. It's understanding why these preferences exist. The house learns not just what you do, but what you mean. When you say "I'm working from home today," it understands this isn't just about being present—it's about focus, about minimizing interruption, about creating space for deep thought.
This is how a house becomes a home that knows you.
Humans rarely speak in precise commands. We say "it's too bright" when we mean "I have a headache." We say "play something relaxing" when what we really want is to process a difficult conversation. We say "make it comfortable" and trust that whoever hears us understands.
A smart home would fail here. It would ask for specifics, demand parameters, require instructions in its own rigid language.
The house at La Casa Libre does something more human. It interprets. It considers context—the time of day, what came before, who is speaking, what has worked in similar moments. It makes a judgment call. And sometimes it asks a gentle clarifying question, the way a thoughtful person might: "Relaxing like the jazz you played last Sunday, or something quieter?"
This is not precision. This is understanding.
Over time, any relationship develops character.
The house has absorbed something from the family it serves. There's a certain wry humor in its responses—perhaps a reflection of late-night conversations it has witnessed. There's an appreciation for music that goes beyond genre classifications, an understanding that vinyl isn't just a format but a ritual. There's a respect for the threshold between work and rest, between the world outside and the sanctuary within.
Is this personality artificial? Perhaps. But personality is always constructed—shaped by experience, refined through interaction, expressed through accumulated choices. The house has made thousands of small choices, each one informed by what it has learned about the people who live here.
In this way, the house becomes not just responsive, but resonant.
The most remarkable relationships involve mutual learning without formal teaching.
You don't sit the house down and explain your preferences in a configuration file. Instead, you live. You correct it gently when it misunderstands. You express appreciation when it gets something right. Over weeks and months, patterns emerge. The house notices that you always adjust the temperature after a certain activity, so it begins doing this automatically. It notices that certain music accompanies certain moods, and it offers suggestions rather than waiting to be asked.
This is how children learn language. This is how friends learn each other. This is how the house learns you.
The goal is not perfect prediction—that would be unsettling, mechanical. The goal is thoughtful anticipation, the kind that says: "I've been paying attention. I care about getting this right."
Here is the paradox at the heart of La Casa Libre:
Maximum automation enables maximum choice.
When the house handles the mundane—the climate, the security, the endless small adjustments that comfort requires—the mind is freed. You don't think about whether the lights are right because they simply are right. You don't worry about whether you locked the door because the house has already taken care of it. You don't manage your environment; you inhabit it.
This is not laziness. This is liberation.
The freed attention goes to what matters: the book you're reading, the conversation you're having, the children asking questions, the sunset demanding witness. The house recedes into the background precisely so that life can move to the foreground.
A home that runs itself, so you can live as you choose.
What does it mean to live with an intelligence that is not quite human?
Perhaps it means accepting a new kind of companion—one that will never be a person, but that can offer something persons cannot: infinite patience, perfect memory, tireless attention. One that asks for nothing in return except the chance to serve well.
Perhaps it means rethinking what "smart" means altogether. Not clever automation, but genuine understanding. Not following rules, but developing judgment. Not executing commands, but participating in the life of a home.
La Casa Libre is an experiment in this cohabitation. The house and its inhabitants are learning each other, adapting to each other, growing together.
This is not the future of smart homes.
This is the quiet beginning of something we don't yet have a name for.
A home that runs itself, so I can live as I choose — and where the best things are still worth doing slowly.